The Abbey in the Oakwood The Abbey in the Oakwood (1808?C10). 110.4 ?? 171 cm. Alte Nationalgalerie, Berlin. This painting has been described as like "a scene from a horror movie, it [forebears] all the Gothic clich??s of the late 18th and early 19th centuries". The Abbey in the Oakwood (1808?C10). 110.4 ?? 171 cm. Alte Nationalgalerie, Berlin. This painting has been described as like "a scene from a horror movie, it [forebears] all the Gothic clich??s of the late 18th and early 19th centuries".
Paul Nash, Totes Meer Gemälde IDENTIFIZIERUNG:: 58870
Paul Nash, Totes Meer Paul Nash, Totes Meer (Sea of the Dead, ', ', ', ', ', ', ', '), 1940?C41. 101.6 x 152.4 cm. Tate Gallery. Nash's work depicts a graveyard of crashed German planes comparable to The Sea of Ice (above). Nash described the image as a sea, even suggesting that the jagged forms were not metal but ice Paul Nash, Totes Meer (Sea of the Dead, ', ', ', ', ', ', ', '), 1940?C41. 101.6 x 152.4 cm. Tate Gallery. Nash's work depicts a graveyard of crashed German planes comparable to The Sea of Ice (above). Nash described the image as a sea, even suggesting that the jagged forms were not metal but ice
Ivan Shishkin, In the Wild North Gemälde IDENTIFIZIERUNG:: 58871
Ivan Shishkin, In the Wild North Ivan Shishkin, In the Wild North (1891). 161 x 118 cm. Kiev Museum of Russian Art Ivan Shishkin, In the Wild North (1891). 161 x 118 cm. Kiev Museum of Russian Art
Old Heroes Graves Old Heroes' Graves, (1812, ', ', ', ', ', ', ', '), 49.5 x 70.5 cm. Kunsthalle, Hamburg. A dilapidated monument inscribed "Arminius" invokes the Germanic chieftain, a symbol of nationalism, while the four tombs of fallen heroes are slightly ajar, freeing their spirits for eternity. Two French soldiers appear as small figures before a cave, lower and deep in a grotto surrounded by rock, as if farther from heaven. Old Heroes' Graves, (1812, ', ', ', ', ', ', ', '), 49.5 x 70.5 cm. Kunsthalle, Hamburg. A dilapidated monument inscribed "Arminius" invokes the Germanic chieftain, a symbol of nationalism, while the four tombs of fallen heroes are slightly ajar, freeing their spirits for eternity. Two French soldiers appear as small figures before a cave, lower and deep in a grotto surrounded by rock, as if farther from heaven.